LOGINA bloody resistance against colonial invasion that tears Seme's indigenous leadership apart marks the entry of a strange culture into the clan. Osayo, the priest, seeks to protect the clan's religious system from erosion by the Blue-eyed (colonists). He, however, has to face off with a few loose canons, including his own son who escapes to a mission center far from home and ends up falling in love with a convert. In the meantime, a terrible plague breaks out in the clan, killing animals and people and leaving the land barren. Coupled by a misunderstanding of concepts in the new faith propagated by the Blue-eyed, a longstanding rift and blame game emerge between the converts and the conservatives, and spuns into a cutural marriage. Soon afterward, Osayo dies and his son, Okayo, realizes he has a greater role to play. The supernormal powers of the clan's aboriginal religious tree are stolen by a witch in line with a prophetic myth. And in a bloody and tumultous mission to reunite the two conflicting religions of Seme Clan and limit the Blue-eyed's influence, Okayo leads a team of selfless compatriots in searching for and killing the witch so as to have the tree's powers in safe custody, and protect good from being superseded by evil.
View MoreChapter 16 Otieno and Okayo walked into Ogola's hut. They had received word that the old man wanted to see them. They found him telling stories with Odalo and would have excused themselves to return later, but Ogola stopped them, "Have your seats, boys. We have grave matters to moot." They shook hands with the old men and sat. "I have heard that the witch has been found," began Odalo. "But that she disappeared again. Why is it taking you too long to find her?" "Allow me to ask, jaduong', how have you known that she is a witch." "The manner in which she disappeared is allegoric to the one in the prophetic myth," explained Odalo. "I'm told she flew from one end of the roof to other like a bewildered botfly before she headed for the exit and disappeared." All the others broke into laughter "Whoever told you that is the g
Okayo stole glances at the wooden sofa sets, large stools, and floral decorations inside Omolo's house. He wondered where it all came from. They were a rare thing in the countryside. He could now almost conclude that there was an immeasurable amount of wealth in the church. It was not his first time witnessing such a glamorous setting in the house of a clergy; he had seen it in Pastor Ken's house back in Kisumu Town. He thought about it for a moment. Was the church an effectual money-minting organisation camouflaging as a free solace workshop? Why were the clergy leading lavish lifestyles while their followers begged and toiled hard for bread like mendicants? "I liked the sermon," Nyarari interrupted his thoughts. "Did you?" He did not reply immediately. "Did you like it, Johnny?" reiterated Nyarari. "I don't know. I was just thinking about something else when you interrupted."
Okech squatted down to the flowing water to fill his barrel. He was now seventeen seasons old, tall and mascular and already initiated into adulthood, and possessed with decade-old momories of his family. He missed the company of his siblings and parents. For a moment, his eyes shifted onto the scar on his left leg, the only relic of his childhood life. His mind toured the past. He remembered the dreadful scene at the river - how the Blue-eyed pointed at and shot him with a strange item, an item that sparked fire. The wound had taken time to heal and the huge scar left marked a page in his life that had not yet been closed. Were his brothers and friends back in Seme safe? And his insane father? What about his mother who had left only months after their father turned mad? Would he ever meet them again? As he though about these, he forgot himself and the barrel he was holding onto the wa
It was an all-merry ground at the Osayos. At one side of the homestead, young women dressed in owelo (traditonal dancing skirts made of sisal) and tops made of banana leaves harmoniously sang dudu (a native folksong sung by women) in the accompaniment of nyatiti, orutu and other traditional instruments. At the other side, young men cavorted about performing Ohangla and other native music. When the much-awaited guests arrived, all the people made welkin rings and ululations as they rushed to meet and welcome them home. The women carried their bride and the men their bridegroom and moved about bestowing laudits on them. Some older men too gambolled about making utterances of praise in the native spoken word format called sigiya. After the shoutings had died down, young men performed the traditional Sikwomba and Ohangla dances. Afterward, women lined up themselves in front of Agola'