All Chapters of The Tempest / The Works of William Shakespeare [Cambridge Edition] [9 vols.]: Chapter 31 - Chapter 40

3. hint] stint Warburton.5. masters] master Johnson. mistress Steevens conj. master’s Edd. conj.6. of woe] om. Steevens conj.11-99. Marked as interpolated by Pope.11. visitor] ’viser Warburton.him] om. Rowe.15. one] F1. on F2 F3 F4.16. entertain’d ... Comes] Capell. entertain’d, That’s offer’d comes] Ff. Printed as prose by Pope.27. of he] Ff. of them, he Pope. or he Collier MS. See note (VII).35. Seb. Ha, ha, ha!—So you’re paid] Theobald. Seb. Ha, ha, ha! Ant. So you’r paid Ff. Ant. So you’ve paid Capell.81, 82. Seb. His ... too] Edd. Ant. His ... harp. Seb. He ... too Ff.88. Ay.] I. Ff. Ay? Pope.96. sir, my doublet] F1. my doublet, sir F2 F3 F4.113. stroke] F1 F2 F3. strokes F4.124. Weigh’d] Sway’d S. Verges conj.at] as Collier MS.125. o’ the] the Pope.should] she’d Malone.129. The fault’s your own] the fault’s your own (at the end of 128) Capell. the fault’s Your own Malone.137. plantation] the plantation Rowe. the planting Hanmer.139. on’t] o

1. and] but Pope.2. sets] Rowe. set Ff.4, 5. my ... odious] my mean task would be As heavy to me as ’tis odious Pope.9. remove] move Pope.14. labours] labour Hanmer.15. Most busy lest] F1. Most busy least F2 F3 F4. Least busy Pope. Most busie-less Theobald. Most busiest Holt White conj. Most busy felt Staunton. Most busy still Staunton conj. Most busy-blest Collier MS. Most busiliest Bullock conj.Most busy lest, when I do (doe F1 F2 F3) it] Most busy when least I do it Brae conj. Most busiest when idlest Spedding conj. Most busy left when idlest Edd. conj. See note (XIII).at a distance, unseen] Rowe.17. you are] F1. thou art F2 F3 F4.31. it is] is it Steevens conj. (ed. 1, 2, and 3). om. Steevens (ed. 4) (Farmer conj.).34, 35. I do beseech you,—Chiefly] I do beseech you Chiefly Ff.59. I therein do] I do Pope. Therein Steevens.62. wooden] wodden F1.than to] than I would Pope.72. what else] aught else Malone conj. (withdrawn).80. seeks] seekd F3 F4.88. as]

2. ache] ake F2 F3 F4. akes F1.3. forth-rights] F2 F3 F4. fourth rights F1.8. flatterer] F1. flatterers F2 F3 F4.17. Prospero above] Malone. Prosper on the top Ff. See note (XIV).20. were] F1 F2 F3. are F4.26. ’tis true] to ’t Steevens conj.did lie] lied Hanmer.29. islanders] F2 F3 F4. islands F1.32. gentle-kind] Theobald. gentle, kind Ff. gentle kind Rowe.36. muse] F1 F2 F3. muse, F4. muse; Capell.48. of five for one] Ff. on five for one Theobald. of one for five Malone, (Thirlby conj.) See note (XV).49-51. I will ... past] Mason conjectured that these lines formed a rhyming couplet.53. Scene iv. Pope.54. instrument] instruments F4.56. belch up you] F1 F2 F3. belch you up F4. belch up Theobald.60. [... draw their swords] Hanmer.65. dowle] down Pope.plume] Rowe. plumbe F1 F2 F3. plumb F4.67. strengths] strength F4.79. wraths] wrath Theobald.81. heart-sorrow] Edd. hearts-sorrow Ff. heart’s-sorrow Rowe. heart’s sorrow Pope.82. mocks] mopps Theoba

7. together] om. Pope.9. all] all your Pope.10. line-grove] lime-grove Rowe.11. your] F1 F2. you F3 F4.15. sir] om. Pope.16. run] runs F1.winter’s] winter F4.23. F1 F2 put a comma after sharply. F3 F4 omit it.24. Passion] Passion’d Pope.26. ’gainst] Pope. gainst F1 F2. against F3 F4.33. Scene ii. Pope.37. green sour] green-sward Douce conj.46. strong-based] Rowe. strong-bass’d Ff.58. Scene iii. Pope.and] om. Capell.60. boil’d] Pope. boile F1 F2. boil F3 F4.62. Holy] Noble Collier MS.63. show] shew Ff. flow Collier MS.64. fellowly] fellow Pope.68. O] O my Pope. O thou S. Walker conj.69. sir] servant Collier MS.72. Didst] F3 F4. Did F1 F2.74. Sebastian. Flesh and blood,] Sebastian, flesh and blood. Theobald.75. entertain’d] entertaine F1.76. who] Rowe. whom Ff.82. lies] F3 F4. ly F1 F2.83. or] e’er Collier MS.84. Theobald gives as stage direction “Exit Ariel and returns immediately.”88. suck] lurk Theobald.90. couch] crowch F3 F4.

The editors’ Preface (e-text 23041) discusses the 17th- and 18th-century editions in detail; the newer (19th-century) editions are simply listed by name. The following editions may appear in the Notes. All inset text is quoted from the Preface.Folios: F1 1623; F2 (no date given); F3 1663; F4 1685.“The five plays contained in this volume occur in the first Folio in the same order, and ... were there printed for the first time.”Early editions: Rowe 1709 Pope 1715“Pope was the first to indicate the place of each new scene; as, for instance, Tempest, I. 1. ‘On a ship at sea.’ He also subdivided the scenes as given by the Folios and Rowe, making a fresh scene whenever a new character entered—an arrangement followed by Hanmer, Warburton, and Johnson. For convenience of reference to these editions, we have always recorded the commencement of Pope’s scenes.”Theobald 1733 Hanmer (“Oxford edition”) 1744 Warburton 1747 Johnson 1765 Capell 1768; also Capell’s annotated copy of F2 St